Nicki Minaj x 2 Chainz’s ‘Beez In The Trap’: Listen!

Nicki Minaj, courtesy of Complex

Thanks to the homie Aqua at Hip Hop Wired, I’m listening to Nicki Minaj‘s collaboration with 2 Chainz, a Parlour favorite. Is she actually rapping or making another attempt to become Britney Spears on the road to release for her sophomore album Pink Friday: Roman Reloaded, due out next month? Let’s listen together, shall we? Elsewhere, Minya Oh aka Miss Info, another Parlour homie, penned Onika’s second cover story for Complex magazine, and the publication is also celebrating their tenth anniversary. Hip-Hop hipsterness for everyone!


Here’s a smidge of Ms. Maraj vs. Ms. Oh:

Do you always feel like the smartest person in the room?

I meet people that are smart every day. I love collaborating with creative people. I’m not walking around saying I know everything. Hell fucking no. I want to build something. I just don’t allow anyone around me who drops the ball constantly. I’ve never been happier with my current management, because Gee Roberson is such an intelligent man. I learn from him every day, and I’m very, very turned on by people that I learn from. Not sexually—I just love being enlightened. All artists should want to learn the business as they go along. If you’re in this shit, talking about how you just want to be an artist, you’re fucking stupid. It makes me cringe.

Did you always know what you wanted your brand to be?

I didn’t know who I was as an artist. I knew who I was as a person. My morals and everything, they’re still the same. And then I took it upon myself to create this artist, Nicki Minaj. I wanted to do what a label cannot do. Now, labels are going to think they can re-create this. [Laughs.] But they can’t.

They’re definitely trying. It’s the Nicki Effect. Since the success of Pink Friday you must see that the industry has changed. Corporations see a female rapper who has more visibility and more income streams than her male counterparts. So new female artists are viable, and that creates a more competitive atmosphere.

When I first got in, doing freestyles and mixtapes, I did a song called “Still I Rise.” I was talking about how so many women were pulling me down and ripping me apart. I said, “Every time a door opens for me/That means you just got a better opportunity to do you/Better understand these labels look at numbers and statistics/If I win, you win, it’s just logistics.”

So in order for my theory to be proven right, I have to open doors for women. The up-and-coming females who wanted to get in—when you guys are coming out and dissing me, and all that negativity….They saw me as a threat instead of seeing me as “she’s going to open the door for us.” I never came into what I’m doing dissing anyone. I gave everyone their props and it’s unfortunate that people felt intimidated and attacked me. Then it became a ripple effect. But now it’s all love. My music is a way for me to have fun. Sometimes I’ll say things and I’ll laugh. But it’s all love. I’m in a great place and I just wish everybody the best.

Read the rest at Complex.

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